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Heart of the Storm – Book Review

At least things were back to normal now. Not the same, because nothing ever returned to how it used to be. – Heart of the Storm: Teo

It is unfortunate, but hope can only go so far. Hope can provide us the groundwork for a great future, but we eventually have to take some action to build a path forward. Otherwise, there’s always someone willing to crush a hope to fulfill their own dream.

The Moonless trilogy makes me think of hope. Of the dangers of relying on hope. And on the greatness that results from direct action. This is a book series that represents that conflict repeatedly: hope versus action. Desire versus commitment. I see it from the first pages of We Lost the Sky: “He studied the expanse for any sign of humans. And there, so far away that he had to squint to be certain, was a flicker of light.” Renn, a primary protagonist in the series, is always looking for that next bright spot on the horizon. All of these characters are—Luca, Renn, Teo, and the rest—they’re Seeking Shelter despite being in the Heart of the Storm.

Closing out this trilogy, Heart of the Storm feels especially solid and cohesive in those narrative echoes of hope and action. We Lost the Sky set the stage and gave our heroes their first chance to act to chase a dream. Seeking Shelter showed us that even the best dreams take responsive leadership in the face of a crisis. Now, Heart of the Storm is about the need for community to protect dreams for a brighter future. The hope is never enough. The dream is never enough. All the right people can be in all the right places, but they still have to act together to be effective.

After the end of the world, routines were necessary to keep yourself going. – Heart of the Storm: Luca

Picking up some time after the events of Seeking Shelter, Heart of the Storm introduces two new viewpoints, Domenico and Huan, while retaining the core cast. If you’ve read the previous books, there’s a ready rhythm in returning to Howalt’s writing that felt like taking a seat at a comfortable café. Their work always gives a sense of distinct calm; the story unfolds with quiet surety and at a steady pace. That hasn’t changed with HotS, and it was also a pleasure to rejoin this set of characters. I really enjoy Renn and Luca in particular. They feel like the heart of the entire trilogy.

In book one, Teo, Luca, and Renn helped found the new settlement of Siena. In book two, there was a plague that made the settlement seek aid outside of its walls and existing relationships. Now, book three sees the Sienans defending themselves against the long-growing shadow of Florence. The moonless world seems especially harsh in this part of the story, but not because of its physical setting. If anything, there were some real moments of beauty out on the desolate plains of a ruined Italy. But, perhaps it is the state of Earth present, but many of the fears and struggles faced by the Sienans felt especially dire and relatable.

Driven by fear, attacks from Florence threaten the lives of people that just want to live better and with more togetherness. Restless uncertainty sends Renn and Luca on a path that is more familiar rather than the one that requires a leap of faith. Teo and Arsenio face the regret of taking action while trying to find joy amidst pain and problems. These could be excerpts from the mid-pandemic world of this book’s release.

And, much like the chaos of reality, it takes a lot of steady hands and cool heads to save the day. It takes quick thinking and honed tempers to find solutions that minimize pain and death. In the previous books, I enjoyed the sense of pacifism presented by the heroes. I truly believe in an ideal of nonviolent action to achieve our goals. In We Lost the Sky, the group sought out Siena as a third option in the face of fighting over a city. For Seeking Shelter, everyone banded together to help; in the end, bartering skills and shared service won the day. Unfortunately, not all problems can be solved through talk or trade.

In a way, the settlement of Siena grows like any human in this series. First, it drew a breath. Then, it learned to walk by coordinating the efforts of its body. Finally, it faced the harshness of external pressures and had to understand itself to remain autonomous. Critically, it is only because of external pressures that the township has to redefine its limits. It is only because of outside pressures that Renn grows wistful. It’s external influences that make Teo doubt. And, it’s the external that forces Luca to finally throw all in with the Sienans.

Of course, growing up is painful, and I felt a familiar pang of regret at the end of this story. Yes, I’m a little saddened that its the last of the series. This series is a comfort read. It’s calming and reassuring to have realistic characters acting sensibly in the midst of disaster. However, the other regret is that Siena had to change in the ways it did. It’s painful to recognize the nature of conflict. It’s somber to realize that humanity is so often inhuman.

Heart of the Storm was a lovely book, and it wraps up the trilogy in a lot of great ways without any tidy neatness in the ending. It’s a living world that feels like its characters will go on living. I have an almost nostalgic fondness for this series in that it feels like it’s from another time. It provides an escape from this world, and what else can you ask for from a book?

Available from Spaceboy Books, Heart of the Storm is by Marie Howalt with a release date of 2021-09-25. Marie Howalt was born and raised in a small North European kingdom called Denmark and decided to become a writer at the age of 11 when the local library ran out of science fiction and fantasy to gobble up.

Review: Seeking Shelter by Marie Howalt

“Wham, bam, everybody up in arms all over again.” – Luca

There is a hallmark of Howalt’s stories related to the concept of deep dive documentaries. With a quick search, you can find hours-long video essays that explore the arguments of unheard-of fandoms. You could become an expert at smelting iron ore for long-dead online games. Going into such a discussion, you are often being gradually introduced to an alien world. However, by the end? You’ve embraced that new world and see everything through its lens. You are rewarded with a deep understanding of hidden minutiae, yes, but that minutiae allows us to see broader scopes of how humans interact with others and the world at large.

So, that sort of deep dive exploration is key in this writeup. A writeup that is a review about the Moonless Series by Marie Howalt. Specifically, this covers Seeking Shelter, the second novel in that series. As a sequel, readers could be expected to know this world they’re diving into, but here it is entirely possible to plunge in context-free. However, there’s something to be said about getting everyone on the same page. Moonless, apropos of its name, is about the planet Earth after it lost the Moon. So, if you’re a fan of The Umbrella Academy, it’s kinda what would’ve happened if they hadn’t reversed blowing up the moon. Centuries later. In the future.

The scene is set just so: a handful of individuals are doing their best to survive on a crippled planet in a far-off future after cataclysmic events collapsed civilization and resources to the brink of extinction. You know, present day, but up ahead. Far up ahead. Beyond Thunderdome ahead.

So far ahead that this is a world that is unrecognizable to the reader and its inhabitants both. That is, if anyone had survived the apocalypse(s) that led to this future-present day. You have to remember something for its future to be unrecognizable. Otherwise, the past is unrecognizable and the stuff of myth and legend. Though, fortunately(?), someone did survive. Several someones, even. Obviously, they’re the ones that find things unrecognizable in Howalt’s Moonless future.

Anyway, same page. That’s what we’re heading toward, right? So. In an attempt to be both comprehensive and spoiler free, this sums up the first book: Some folks are living “normal” lives in the wasteland of future Italy, but things get turbulent when sentient robotic-humanoids, a wandering grump, the daughter of “civilization’s” leader, and a frozen-popsicle of a man dethaws. Through fate and faults, they wind up together long enough to go “WTF?” The ruling party of non-frozen humans don’t like change, so they’ve been oppressing progress and causing a lot of chafing for people that actually want to make things better. These four groups of chaos band together, cause the old-folks a rebellious fit, and then the rebellious ones leave to start their own colony in the ruins of a forgotten city.

Fun, right? Lots of fun. Fun is when everything goes wrong, right?

Now, Seeking Shelter takes place after all that. We’ve got a newly established colony of rebels, a tenuous relationship between them and surrounding settlements, and the also-tenuous relationship between the rebels and themselves. Everyone’s mostly settling in with new roles and placement in the world, but everyone carries some of the past with them. Like, jeez what a burden carrying it around. In fact, the past plays a central role throughout the story in casting doubt on the future or haunting us from embracing change. Just like real life!

“In this hostile, unsheltered world, more people could deplete the resources as easily as too many people inside the domes of Florence … could prove a challenge to the balanced eco systems within the domes.” – Teo

Speaking of the past, a lasting gut-punch of Seeking Shelter is caused by a reminder of our present. Climate change is a real deal that’s getting more damning with each passing day, and this is a story that speaks to those dangers and how careful we have to be. In both of the currently-released Moonless books, we see the results of a near-destroyed climate as an edge case of too-far-gone. And as seen in We Lost the Sky, we also get a great look at the struggle of caring required to combat climate change. Teo is a great character that seeks to share and cooperate toward a future of shared resourcing. She’d be worth voting for, no doubt. We could all learn from her message of crafted communication that helps us all toward a stronger whole.

It was too soon to die.” – Esmia

And, real quick, while we’re still talking about the past—really meaning the present—let’s talk about masks and sickness. You know, for survival. And belief, both how it affects and interferes with survival. There’s not a direct one-to-one comparison between religion and superstition, but there are connections there. Of course, the word “superstition” has a baked-in negative connotation, but that’s kind of the point in bringing it into the conversation.

See, Seeking Shelter spends a good deal of time ramping itself up to a unifying thread. That’s where Howalt’s hallmark deep-dive feel comes into play. Surround the reader in the world, and then, background set, unleash the details and the ideas that would be chaff without the context. The stage isn’t just set, it’s been constructed into a grand unifying experience.

In this story, that experience congeals to—sometimes painfully so—highlight the current struggles of our Earth. After all, moon or not, we are still just people. As mentioned, one of those struggles has to do with climate change. How do we live in this crazy turbulent world when everything keeps breaking apart? Another of those struggles is infections and outbreaks and superstitions around sickness. There is a really great ideal within Seeking Shelter about building acceptance while banishing the parts of us that breed hate and fear. A lovely wish is an idea that spirituality can be a strength that binds us together, but only if we can reject those beliefs that harm the people around us.

Because what is a human but piles of belief wrapped in biomatter? Or, artificial bodies too, in the case of Seeking Shelter. And that’s displayed time and time again with the way Howalt shows characters struggling with those critical pieces of self. As people do. By pitting those values against a rock and hard place, each character is fleshed out so that they breathe the same strengths and weaknesses as any of us. It’s a quality within everything written by Howalt, and it only gets better with each new publication.

But in Seeking Shelter, there is a full array of humanity on display. People we want to be. People we are ashamed of being. We see the failures and successes of hope, fear, ambivalence, and trust.

Really, it’s striking, admirable, and disheartening to see the ways we act as a collective. It’s on the news every day right now, and Seeking Shelter wraps up our current situation in a way comparable to the 1978 Dawn of the Dead / Zombie or the original Robocop. It’s a mirror that condenses humanity like some solar concentrator into a painting of us as Dorian Gray. There are misty-eyed moments in this book that are for the characters and their struggles, and there are others that are painful because damn humanity—that’s why. Damn them all.

But it’s not all gloom either. There is hope in abundance here. There are moments that caused little chortles and snickering laughs. Luca—just like always—has a presence similar to someone sneaking to the refrigerator at two in the morning to sneak a fistful of cake. The steadfast determination in Renn, in Mender, are a reminder that we have wells of strength from those around us. The heart of Teo, a person too invested that feels too much, shows the value in doing our best and forging ahead. The wary dream in Esmia is a push to continue navigating loss and the possibility of a true home.

And really, it’s because of the gloom that those variations of dreaming shine so brightly. The gloom of crisis in this story, and the gloom around us in the present. Yes. Things are bad, but if we bind ourselves together? We can make a better future.

Seeking Shelter is so damned nice because of that message. Because its characters, even bitter old (young) Luca, and grumpy-faced Renn, face down their fears and reluctance to keep working together. This story centers its progression around hope and trust. With that kind of core, you have to know the world, know the stakes, and understand the resources effecting the characters. Howalt crafts those elements expertly, draws them together so that they will affect one another, and then injects a crisis to show how the puzzle pieces react. The result is an aching message that shows that trust and hope are some of the greatest risks to take, but they’re the risks that reward us the most.

Marie Howalt’s Seeking Shelter is available at Amazon or through SpaceBoy Books.

Review: We Lost the Sky by M. Howalt

We Lost the Sky Title Image

“I think fixing the mess I made is the best remedy,” Luca mumbled.
“I’m afraid there will be none of that,” she retorted.

Luca and Nanny. We Lost the Sky, by Marie Howalt

Luca is a teenager from the futuristic past, before the sky fell, but being a young man out of time does nothing to dampen his spirits. Teo is a young woman that anticipates a future with good friends and technological advances, but first she must face her father and the city he controls. Renn wanders a wasteland that used to be the Italian countryside, and all he wants is to rejoin his traveling group. Mender, an artificial intelligence in an artificial body, wakes in a future that fears sentients like nem or doesn’t believe they exist.

Written by Marie Howalt, We Lost the Sky is a 2019 novel about the post-apocalyptic Earth left over after a meteor strikes the moon. The book is set around what used to be Florence, Italy, and follows the lives of these four protagonists as they fall into a mess of will and circumstance.

Clocking in at 295 pages, this is a full-length novel with plenty of time to explore its characters and setting. The pace is steady, never too fast or slow, and ‘natural’ is the word I think of when thinking about plot progression. Everything happens because it must, because everything chains together into an eventual outcome, and that makes the culminating events satisfying. I know where these characters came from, why they made their decisions, what they could’ve done instead, and how everyone came together for the climax.

“I say it’d be better for all of us if the flood made them leave,” commented the wife of one of the councilmen.
“Or drown,” added her husband. “Just kidding! Just kidding!”

Participants of the Dinner Party

Being a future-based post-apocalyptic society, We Lost the Sky presents people inhabiting a world that is largely unrecognizable. The story picks up decades after the cataclysm, and before that the world already had sentient artificial people and fanciful healing agents. The combination of future tech with a desolate landscape makes Earth seem more an alien world than our home. Though of course, the people are more than recognizable despite the strange surroundings.

Because Howalt does an excellent job at considering the line of consequences for a fallen moon. There are people that worship the moon’s fallen form, or think of her as a lost goddess, and there are signs of the (literal) impacts made by her disappearance. It’s also far enough past the disaster that people have forgotten the history of their downfall and who they even were. There are also clear divisions of those that were prepared versus those that survived. There are hidden caches of cryochambers, dome-covered cities stagnating under protective cover, and nomads purposefully avoiding attachments as they wander a broken world.

This is the setting of Howalt’s We Lost the Sky, and these are the locations that contain our four protagonists. Luca is the descendent of a wealthy family that had a safety chamber of cryo-storage, but he is the only one that survived. Teo is daughter to the man leading a stagnating domed Florence. Renn is the vagrant, and he meets up with the recently-wakened Mender seeking nir programmers for purpose in a lost world.

“Do you think it is always like that? That some people will go hungry while others have plenty?” Renn asked.
“I think it is a danger of any society, yes,” ne said.

Renn and Mender

All four begin the novel separate, alone in their own ways, and at a turning point in their lives. Luca is growing restless and fed up with the downfall of the cities he used to know. Teo is stretching the limits of her freedom. Renn loses track of his covey, the group he travels with for support and belonging. Mender is awakened after the loss of power for centuries.

And then, as events pull them along, the four meet and the knowing of one-another changes lives completely. When Renn meets Mender, he is shown a past that he never even considered. Luca meets these two and remembers loneliness and the promise of companionship. And Teo, though surrounded by the people of Florence, finds an understanding of greater possibility and responsibility with her introduction to the world beyond the city domes.

More than anything, this is a story that is about people finding people and making connections. About how we make judgments and resist change. The setting, with its wastelands and people afraid of the past and future, allow Howalt to highlight the absurdities of human nature. And the grace in our capability for kindness. The setting is used as a tool, though it’s also deep enough that the details feel like genuine byproducts of the broken planet. And it’s never used in a way that drags your face in some dismal reality or heavy-handed forewarning.

And I enjoy a story that has fun while taking itself seriously. We Lost the Sky does that in spades. The characters are living in their world and enjoying what they can, but they also respond properly to the threats and challenges they face. This is no cartoon world without consequences, but it isn’t joyless grimdark with overly-gruesome death and destruction. Luca cracks anachronistic jokes from his past while facing danger, and Teo flirts while toying with political intrigue.

Those interactions, both lighthearted and serious, do a pleasant job at revealing the characters and their ideas and ideals. It provides a discovery of the four lives separately, and all four are well established by the time they discover each other. Then, after the world jumbles them together, the group heads toward a new future with a hopeful message of peace and resolve. I knew them well enough to understand what they’ve lost, gained, and how they might change beyond the last page.

“Move it!” one of the guards behind them yelled. “Break it up!”
“What are you afraid of?” she shouted back.

Teo

I enjoyed We Lost the Sky for so many reasons that I can’t help but recommend giving it a read. On the forefront, Howalt’s book speaks on change, survival, and fear of the unknown. Behind that, this is a story about identity, family, standing up for your ideals, and accepting the wisdom of others. Then, there are sprinkled-in elements on the acceptance of gender, the strength of pacifism, and the values of traditionalism versus progressive ideas. All of these bits combine together into a fun book with fantastic aspects and well-written depth.

Full cover of We Lost the Sky

Get it at one of these locations, or read additional reviews:
https://www.goodreads.com/book/show/43866656-we-lost-the-sky
https://www.amazon.com/dp/B07NKFL483/ref=dp-kindle-redirect?_encoding=UTF8&btkr=1
https://www.adenng.com/2019/01/31/book-review-we-lost-the-sky/
https://readspaceboy.com/

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