Category Archives: writing

Tropes: Everything is Done Did

Take it on down to Troperville.

No really. Take it down.

Oh man, don’t do the Tropes! Except, do the tropes, because not doing them is such a trope. And make sure you don’t do any subverting of tropes, because that’s getting old and I’m so tired and bored that I’m yawning already just thinking about it. But dang. Tropes! What the heck are they? Don’t write them, but do. Keep them in mind so you can understand the reasons they were used! Write them in a new way! Go to TVTropes and die from starvation and dehydration as you click the next rabbit-hole link.

But yeah. Tropes are a thing. Like, they are a noun that means something. The ol’ online dictionary describes them as literary or rhetorical devices, and yeah, that’s what they are. But I guess they mean more now, or at least they have connotations surrounding them with the gravitas of dark and stormy nights.

And really, that makes sense because culture is ever evolving. And in our global society of sharing everything its easier to transmit ideas in condensed form. Its like powdered milk in a box that needs a little added water. Or Ikea furniture where you see the display model and then you go find the boxes that make the thing you want. Some of those parts are interchangeable and can be used for multiple final forms. It’s an adult form of Lego except there’s a lot more screwing involved.

The greatest part of assemble-it-yourself furniture is that you could make it however you want. Do you want to paint all the stuff before you put it together? Sure, go ahead! Maybe you don’t like that headboard that the assembly guide suggested. Get another one instead and somehow make it work. Customize and reshape, reimagine and carefully build. The end product becomes something special and you’ve also got something to sit on. Yet, you don’t have to do any of that if you don’t want. Maybe you really do just need a decent chair. Get the parts, align the holes, and tighten the nuts and bolts. That’s perfectly fine. It’s functional. It’s nothing pretty or unique, but it works.

Weirdly enough, there’s an odd shifting perspective on what’s cool to customize. Cars are well-known art projects, and custom woodworking is pretty nicely received. Yet, some hobbies are seen as somewhat useless or maybe only for the highly trained. Like, model rocketry is fun. Plenty of people try it once or twice. They go to a store and buy a box and put together some kind of kit. Then sometimes people feel a hook sink deep into their skin. Then the kit isn’t enough. There are modifications that must be made.

At some point any hobby can become a sometimes negatively-associated word: obsession. Except, often enough, for those that are highly accepted like sports or cars or money. Isn’t that strange? Why is it so easy to point and laugh at someone’s drive? Why do we get to pick and choose what gives joy to someone’s life? Shouldn’t we just let people find their niche? Well, except murder and sexual assault and other types of violence. Those are bad and I don’t care if it gives someone a surge of excitement.

Seriously though to find a niche is a meaning of life itself. We all want to find the place we specifically fit. No general purpose user cares what computer they use. But, the gamers and the coders and the developers want a special machine at their fingertips. And to them there’s a purpose to that selection. There’s a reason for the choices they make. A hammer is a hammer if you just need something heavy to swing. But delicate taps to shape metal need a ball pein’s specific hit.

Speaking of smashing and hitting. Now’a’days tropes have started colliding and combining with memes. Ideas are fun to exploit and explore. It’s a pleasure to express that ideal version of a repeated dream. To me that raises the question of whether or not that will dull the senses. Will people get so used to blunt concentrated thought that subtlety will be a novelty?

Nah. We’re too adaptable. And instead of adaptable it’d probably be okay to say forgetful. The things we find popular today and tomorrow will be the next generations cool new thing. That’s the way of history. Cyclical thinking is… well. It keeps coming around.

So, certainly, everything’s been done before, but that’s probably just fine. Because, really, the creation of something new shouldn’t be the goal. The creation of something that speaks to you or to a reader is more important. Remember that book you read as a child? Or that movie or cartoon? Whatever it was, at whatever the age, it affected you deeply. It changed your life.

Someone out there hates your favorite thing. It doesn’t matter if it’s a show, a story, a comic book, or a cake. Your tastes are not the same. The stuff you think is dumb or pointless? Someone else loves that too.

I guess, then? Do the tropes. Do whatever you want. But do it well.

-J.A.

Train Platforms and Rooftops

Flash Fiction
J.A. Waters
854 Words

Train platforms were always a kind of half-peaceful escape from humanity. Sure, sometimes it’d get busy, and then you’d have to deal with a bit of a crowd. That was the exception, however. Most of the time you just sat there on a bench, quietly staring into a space made up of rock and steel, rust and flickering lights. The peace flew the coup whenever a freight train went blurring by. Those were a physical force of noise and motion and sucking wind.

Gerald sat there as one of the behemoths lunged behind him on the second tracks. He was staring at a small mouse crawling over another. He was slouching, hands deep in his pockets and a toothpick held between his teeth. The toothpick gave him a feeling of being cool. His hands within his pockets gave him a feeling of comfort almost as a security blanket would. He likened putting your hands in your pockets to balling up into the fetal position. It was comfortable.

An announcer started his gibberish about time, trains, and tracks. The time registered somewhere in Gerald’s mind, matched up with a schedule, and activated a movement protocol. Work was starting soon. He picked up his book bag.

The great thing about train stations, airports, and bus stations was the security you had in being there. If you had some sort of bag, or at least looked tired, withdrawn, and worn, no one would bug you. You could just sit there, for hours on end, without anyone giving you a second glance. It was kind of like an open privacy. Every bit of its escape was in your mind.

Sidewalks were always worn, cracked, and stained. When someone put in a new stretch of the stuff it’d practically glow, especially on sunny days. The sidewalk on the way to work was old, ancient and beaten by the forces of gravity and pedestrians. It had little cracked dips and rises, places where the earth had settled, and places where roots had pushed out against the confines of a cement prison. There was old spray paint and new chalk. These were two forms of graffiti with varying levels of acceptance. Permanence is hard to accept.

The place that Gerald worked was one of those looming buildings of mortar and stone, too old to know it should’ve fallen down already and too old to consider making it fall down. It had historical merit despite most of that involving bad days of work. Today was a bad day of work, and it hadn’t even really started. Things were just sort of uneven and off rhythm. Sometimes the world just seemed to pulse exactly the wrong way, or maybe it was just Gerald. He clocked in and considered the digital timestamp telling him he was two minutes late.

In a cubicle, you have the exact opposite of privacy. You have a little cardboard box that everyone can open. They lift the flaps and rummage through the contents. They toss out what’s been in there too long. They stuff other junk inside that they don’t want anywhere else. The only real refuge is the computer screen. There is the glowing God with digital secrets and dreams hidden away beneath false windows and half-hearted spreadsheets. Someone in another cardboard box loves work and pushes out maximum output. Gerald doesn’t hate work, but he doesn’t care, and so pushes out no output. Combined, along with whatever other cardboardians, output is nominal.

On break, Gerald stood by the water cooler with one of those little conical cups. They hold maybe a gulp of water. He always filled them up eight or nine times until slowly getting a full eight ounces. Today he just stared at the cooler, empty, and tried to figure out what it was he would do. Lunch was always water. Getting water was how he spent his lunch.

After work, Gerald walked home while pretending his feet were wheels over the landscape of a rolling sidewalk. He passed the train station, considered taking a seat to listen to the passing trains, but kept on toward his apartment. The air was cool with the scent of budding flowers and car exhaust, but the important thing was that it felt good. He didn’t go to his room, not yet, but slowly wound up the staircase, forgoing the elevator’s rumbling ride.

On rooftops, there was always a kind of half-peaceful escape from humanity. Under your back was the feel of gravel and small rocks, weight distribution keeping any from digging in and making it uncomfortable. Above you, the sky darkened and an expanse of stars opened up, peeking out from their hiding places in the blue beyond. The peace flew the coup whenever sirens went blaring by, but it was alright. There were still the stars, and the sky, and the gentle breeze that always picked up just enough to carry away the heat and oppression of things going stale.

Tomorrow, Gerald decided he’d stop by the train station again. Who knew, maybe his train would come in.

Key Liar

Flash Fiction
J.A. Waters
300 Words

Others of the warrior’s ilk were filling the room around me, burly men and women wearing pelts and bits of iron as jewelry. They ducked carefully to step downstairs onto the ship’s lower deck, “We are honored by your presence.”

Arranged in a semicircle they passed around horns of drink and baskets of bread. These were shared with reverent bows in my direction. They repeated one phrase: ”The key to our salvation.”

None approached me and I soon grew bored out of my fear, “Might I have something to eat?”

“Sacrament,” said the first, the leader, the one that yanked me from the city, “Fulfillment of the pact requires clarity.”

“What pact?” I stood warily, unsteady because of rolling of waves, “If I’m so special then tell me something!”

“You are the key…”

“…to our salvation,” I finished, “Yeah, I got that. Ridiculous.”

Deep pulsing sounds reverberated through the vessel.

Two of the savages grabbed my upper arms and yanked me out of the room in a hurried rush. Their faces were tight, jaws clenched.

All around us the sky was dancing with streaming light. Electricity crackled as my captors lifted me to the sky, “The key!”

A great sonorous wail shook the very fabric of the world. I felt my mind twist.

“Liar! LIAR!” The leader stared at me with horror, “You claimed yourself sterile!”

Thin sheets of energy surrounded my skin. The ship, along with all of its sailors, disintegrated in screams. Bright purple light engulfed everything.

A breeze whispered fading words, “Liar…”

I bobbed in the swell of a sea I did not know under an alien sky. Ignorance wasn’t a lie, but I felt terrible for my unknowing betrayal. I had been their key alright, but not for salvation. Nor mine. I couldn’t tread water forever.

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