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Review: Laura Morrison – How to Break an Evil Curse

How to Break an Evil Curse Cover Image
The cover image for How to Break an Evil Curse.

The old lady shifted her gaze from Warren to somewhere off down the street as she launched into a monologue about the impending hunt, and how kids these days weren’t the same as they used to be, and neither were parents, and neither was society, and the whole of Fritillary was going down the tubes. Except Fritillary didn’t have plumbing, so that expression didn’t make sense. But the siblings weren’t listening anyway, so they weren’t confused.

Look, do you like to have fun? Yes? You too? You? Everyone? We’re all in agreement? Fun is good? Great. So start reading “How to Break an Evil Curse.” Lovely.

Oh, some of you believe that fun must be earned? Well, let’s see.

Summary

How to Break an Evil Curse is a ridiculous (good ridiculous) tromp through the land of Fritillary where things happen for no good reason and magic works for no good reason and the king is ruling badly for no good reason. So, essentially this is a world that perfectly mimics reality. And don’t worry, this is the good kind of ridiculous. It’s the same ridiculous found in Rodents Of Unusual Size, 42 being the meaning of life, and turtles going all the way down.

Real quick though, this is actually a review of two books. There’s Morrison’s How to Break an Evil Curse (HtBaEC) and then there’s HtBaEC 2, so called because it appears to be otherwise unnamed. The second of the series picks up fairly directly after the first book, and follows the same characters, and is also part of a larger arc that will lead into a third book. That said, the two have a distinct separation and can be read as completely standalone to one another.

Characters

An image of a raven, wings outstretched.
An image from the book’s insides.

HtBaEC starts with an introduction to a terrible person that is soulless, has way too much time on their hands, and constantly seems to pester everyone in the story. I’m of course talking about the narrator. I lied about the soulless part. This is a voice of humor and idle comments conveying a story with some pretty clear opinions on the world around it. This can be make or break it for some readers, but the narrator is a distinct character that comes off as a jolly family member telling the story to amuse children. I found the narrator’s whimsical storytelling to add a pleasant absurdity to the story, especially in some of its anachronisms and moments skipping boring parts of events.

From there we meet a truly soulless person, Mirabella, and her doting accomplice Farland Phelps. One’s a prisoner in the Forest of Looming death, and the other is a wizard. She’s plotting to get revenge on the king, and he seems half-intent on that but also half-intent on plotting to stay near Mirabella. The first chapter works great to intro these two central villains of the story and an overall conflict, but also connects the audience to these two “villains” in such a way that you kind of root for them. After all, it’s hard not to root for them when the king is pretty much an asshole.

Because that’s who the reader meets next. The royal family in HtBaEC come off as the greater evil for a lot of reasons, and the monarchy becomes a great way for the story to consider ideas of democracy, feminism, wealth distribution, and privilege, all within the hilarious confines of smart remarks and witty retorts. Add in Princess Julianna, a fish-out-of-water heroine, and there are some great examinations of why people aren’t nice and how easy it is to forget what you don’t know.

But the cast doesn’t stop there, oh no. It expands quite a bit in fact, but it never becomes a problem to keep up with the different characters. There are pirates, band members, revolutionaries, ghosts, doctors, and a pool of raven’s blood. Each and every one of them is a unique soul with their own wants, dreams, hopes, aspirations, and other words that mean they come to life. Because they do. I could write a significantly longer review if I went into why I like every character in this story, so to shorten it up I’ll just say they’re all super fun to read about and I’d want to hang out with most of them. I say most only because being killed is not cool.

By the end of book one you’ve been introduced to all of these characters and you’ve also seen many of them undergo pretty significant transformations of understanding or fate. Heck, its the first time a guy named Warren steps foot on land. Additionally, the plot unwinds with some nice twists and wraps things up neatly but not too neatly. It leaves plenty of room open for the sequel, but doesn’t frustrate the reader with “well what about THIS!?” questions.

Plot and Setting

And then everything wonderful about the first book is repeated in the second book, but now it’s even more solid. Throughout the first story the characters still felt like they were developing, but in the second HtBaEC everyone seems more fleshed out and more intent on their goals. Even the villians, the King, Farland, and Mirabella, have new goals and new changes in perspective that increase sympathy all the way around. Except the king, because ugh, asshole.

Most, if not all, of Morrison’s plot lines and ideas from the first book carry through to the second, and they make good progress toward being fulfilled. Some are still left in the air, like the rebellion, but others are quietly (or with a strangled cry at least) put to rest so that focus can shift elsewhere. I was continually impressed with how Morrison juggled so many plots and varied themes without losing the comedic tone or the hinted trails.

Book Construction

A swirl of color
Paper on the inside covers

As a slight detour, let me mention that this book was custom-bound by Morrison herself. It’s lovingly done with a nice hard back and pretty paper used on the inside of each cover. Each page is a nice paper quality and the text came out nice and sharp. It’s always a pleasure to get a book that doesn’t feel mass-produced, so this quality certainly adds to the reading experience.

Overall

Morrison’s two stories that I sped through because they were just downright enjoyable. Nearly every sentence gave me a reason to laugh, chuckle, or at least grin.

Is it perfect? Well, nothing is, but there wasn’t anything that pulled me out of the stories at all. There are some slight editing issues throughout, notably changes in tense earlier on and then some small homophone typos here and there, but definitely nothing jarring. I could see some readers getting hung up on the anachronisms thing and the tone varying between serious and flippant, but like I’ve mentioned I enjoyed that myself. Some of the writing could probably be tightened up / reworded, but that goes for any story.

I suppose it’s hard for me to be tough on these books because I did enjoy them so much, so take that for what it’s worth.

Get it from here:
The Author – Laura Morrison

Score: ratingStarHalfA star for rating stuff.A star for rating stuff.A star for rating stuff.A star for rating stuff.
Half a star for clarity and readability, one for originality and interest, one for setting and cohesiveness, one for character development, and one star for enjoyability.